As a long-time user and fan of GForce Software’s original Virtual String Machine, I’m thrilled to see the release of VSM IV, which takes this beloved software instrument to new heights. The fourth iteration of VSM introduces a range of exciting features and enhancements that elevate both the user experience and creative possibilities.
VSM IV Standout Features
A Fully Scalable UI and Streamlined Browsing
One of the standout improvements in VSM IV is the fully scalable user interface, which ensures the instrument looks great on screens of all sizes. The new powerful Patch and Instrument Browsers make navigating the extensive library of over 1,900 presets a breeze, ensuring you can quickly find the perfect sound for your project.
The addition of basic but essential functions like undo, redo, copy, and paste streamlines the editing process and encourages experimentation. These quality-of-life improvements make working with VSM IV a more seamless and enjoyable experience.
Authentic Aging and Expanded Sound Shaping
VSM IV introduces new Wow and Flutter features that emulate the charming organic imperfections of vintage string machines. These subtle instabilities add an extra layer of realism and character to the already lush sounds.
The inclusion of an alternative state-variable filter and a new ensemble effect opens up fresh sonic possibilities, while the new LFO shaping options, chorus, and matrix reverb provide even more tools for crafting rich, evolving string textures. The expanded polyphonic aftertouch and velocity controls offer greater expressiveness and playability, making VSM IV a joy to perform with.
46 Classic And Rare Vintage String Machines
At the heart of VSM IV lies an impressive collection of sounds from 46 classic and rare string machines, ranging from early commercial string ensembles like the Eminent 310 and Freeman String Symphonizer to coveted classics such as the Solina, Elka Rhapsody, Logan String Melody, and Korg PE2000.
With over 11.5 GB of meticulously sampled data, VSM IV provides an unparalleled palette of authentic vintage string tones. The dual-layer architecture allows you to combine any two string machines to create unique hybrid patches, venturing into uncharted sonic territory.
Presets from Renowned Artists
For VSM IV, GForce Software has collaborated with an impressive roster of sound designers, including Robin Rimbaud (Scanner), Polydata, Lightbath, and Noyzelab, alongside Dave Spiers, Chris Macleod, Graeme Rawson, and Tom Wolfe. These artists have crafted a diverse array of presets that showcase the incredible range and flexibility of VSM IV.
As Robin Rimbaud (Scanner) puts it, “Drawing upon a generously wide range of sample sources, and the ability to smudge, age and chew up the sound with tape emulation, filters, modulation and LFOs, it can also offer up otherworldly cinematic soundscapes, rhythmic beasts, nightmarish ambience and regal elegance. It’s a shape-shifting gem!”
Pricing and Availability
VSM IV is available now for purchase from the GForce Software website. The regular price is £99.99 + VAT, but it is currently being offered at an introductory price of £69.99 + VAT.
For existing users of VSM 1, 2 or 3, there is a special upgrade price of £39 + VAT during the introductory period.
VSM IV is available in VST, AU, and AAX plugin formats for both Mac (Intel and Apple Silicon, macOS 10.15+) and PC (Windows 7+).
Gforce VSM IV – Final Thoughts
With its extensive library of vintage string machines, intuitive yet powerful sound shaping tools, and inspiring presets, VSM IV is a must-have instrument for any producer or composer looking to add lush, organic string textures to their music. The improvements in workflow, expanded creative options, and authentic aging features make it a worthy successor to the already excellent VSM3.
As a satisfied user of the original VSM, I’m excited to dive deeper into the new possibilities offered by VSM IV. GForce Software has once again demonstrated their commitment to delivering high-quality, meticulously crafted virtual instruments that inspire and empower musicians.
