software reviews
Softube Model 84 Review – THAT Sound!
| November 6, 2022
I hear you, we’re late on this. Softube Model 84 came out last year, so why bother talking about it now? Three reasons: 1) I finally got to
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news
Arturia V Collection 9: MS20, SQ80, Rebuilt CS80, Cinematic Sounds and more
| May 10, 2022
The Arturia V Collection just got another major update, reaching version 9 and adding both new instruments and a (personally much appreciated) redesign of some of the classic
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news
GForce OB-E, A Software Take On The Legendary 8-Voice SEM
| February 23, 2021
GForce Software just introduced OB-E, their take on the legendary 8-Voice Oberheim SEM. More than just an emulation, OB-E offers a unique musical experience. Sounding HUGE, it takes
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software reviews
Arturia V Collection 8 Review – The Update Kicks!
| February 23, 2021
Recently Arturia have once again updated their acclaimed and award-winning vintage synth/keyboard collection, this time with the addition of 4 brand new instruments, taking it to a grand
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news
Echo Cat – The Virtual Return Of The Copicat Tape Echo
| October 14, 2020
Wavesfactory, the company behind the acclaimed Trackspacer, Cassette (we love this one, see our “How To Recreate the ’70s and ’80s sounds” article), and Spectre just announced their
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news
Softube meets Minimoog: Here’s The Model 72 Synthesizer System
| September 29, 2020
Softube just expanded their synth line, this time modeling the iconic Minimoog (although they can’t use the name for obvious reasons). The Model 72 Synthesizer System is, according
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news
Arturia Launch OB-Xa V – ‘Go Ahead And Jump’
| May 19, 2020
Surprise, surprise… Arturia has just released the OB-Xa V, a software instrument based on the iconic polyphonic synth OB-Xa (the original had up to 8 voices which could
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software reviews
Making a Record – How To Recreate Late ’70s/Early ’80s Sounds
| April 24, 2020
A few months ago, I was asked to work as a producer/sound-designer on a low-budget indie record. The artist intended to recreate a certain late ’70s/early ’80s vibe
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