It has to be said that the UVI Falcon landed in the cut throat fray of virtual instruments with the utmost elegance. Barely making a splash in the media (but very much loved here at ANR, see our UVI Falcon review), this insane, hybrid powerhouse turned out to be one of the deepest and most flexible vsti’s in existence, incorporating as it does both full synthesis and high end sampling capabilities. Imagine NI’s Kontakt and Omnisphere having a baby…
Recently the first two Expansions appeared, again without much ado. So here at ANR we decided to take them for a test flight to see what’s on offer.
After downloading the Expansions you must unzip them and paste the .UFS files into your UVI Library. If you don’t have one you can simply create one (Locally or on an external HDD) and point you Falcon to it.
As with all UVI products, including the Falcon, these UVI Expansions require iLok interaction. Though you don’t need to purchase a Dongle as the authorizations can be stored on your computer hard drive instead. Initial activation requires a free iLok account and an active internet connection.
Free iLok account (but no dongle) needed to register
Upon booting into Falcon you will find your newExpansion(s) on the right hand side.
Find your installed Expansions here
Time to make some music
I wanted to look at the Analog Motion Expansion first as the teaser videos on YouTube are exactly that – a tease.
Thanks to the mult-tabbed approach of Falcon all banks have a hierarchical structure of complexity with the simplest interactions available under the left most ‘INFO’ tab. This shows the snazzy GUI for Analog Motion which varies from one preset to another. There are 111 presets available in this Expansion and they are incredibly well designed.
Beginning in the ARP section it becomes immediately apparent that layering multiple sounds is something that the Falcon does with ease and all these patches feature not just arpeggios but layers of sequences, pads synths and plucks. Movement is definitely the operative word in this folder. There are macro controls in the UI which enable you to quickly mute patch layers and access the important functions that the designer wants you to play with such as Filters or effects without you having to dive into the abyss that is Falcons immense functionality.
The SEQUENCES folder is crammed full of evolving, modulated soundscapes that reward the one-fingered bandit some truly glorious action. Every patch feels like a classic intro or a movie scene from the 80’s – something familiar that you can’t quite put your finger on (check out our Stranger Things synth special, if you’re into such sounds!).
These are evocative sounds no doubt, superbly realized swathes of vintage synthesis, highly suited to Media and film composers thanks to their sheer quality and robust programming.
Spectre is a much more mainstream, dance oriented Expansion. It features many nods to the myriad almost undefinable sub-genres of Electronic Dance Music.
There are some solid beats in the DRUMS section with a surprising nod to the roots of House music, which is nice to see, as well as some more up to date feels including Dembow driven four on the floors.
FX is a cool folder, featuring risers including both white noise and pitched synths with snares layered in. Very useful.
I enjoyed the CHORD folder but with only five presets I was left wanting more. The LEAD folder is where the most useable content is though and there are a ton of legit sounding synths to weave into your dance productions with little meddling.
Falcons indepth TREE structure
If you want to take a peek under the hood there is no better place to start than the TREE tab situated middle left. Flick your way through the multiple layers of sounds, FX modulation and filtering that comprise each thoroughly designed patch and reconfigure anything to your hearts desire.
Spectre features a hefty 140 presets and represents great value for money for anyone interested in Electronic Dance Music. The sounds are all highly charged and useable as is, or serve as a brilliant starting point for any producer to put something fresh on the table.
Conclusion Analog Motion and Spectre are aimed at two very different markets but they both highlight the immense power of Falcon as both a sound design tool and, more simply a generous playback engine. As expected the sound design itself is extremely competent with Analog Motion probably being the more evocative offering.Both represent excellent value for money.
Price and Availability Both Expansions are available now. Each weighs in at $39/37€ and you can find more info here. FYI: If you enjoyed this review, please consider buying Analog Motion and Spectre through our partners using the links below. Your support means the world to us. – Buy Analog Motion here – Buy Spectre here
DISCLOSURE: Our posts may contain affiliate links, meaning when you click the links and make a purchase, we receive a commission.
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About The Author
Baby Brown is a composer/Producer and guitar player.
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